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It's easy to see all of the details and textures within hair and assume that it must be difficult to capture it all in a drawing. But it doesn't have to be overwhelming and we can simplify the process, making drawing hair a bit more manageable. Divide this hairstyle into several curly locks of hair by drawing the same bouncy line as before as many times as needed.
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After many times of trial error, I have a tip so you won't spend hours choosing the color of shadow, depth, and highlight. But if you have all the answers to the two steps you just passed or, perhaps, skimmed, then what you have to do is to follow the steps below. Once we have the main body of the hair developed, we can go back and add those stray hairs. Deliberate and confident marks work best for stray hairs.
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Hair strands naturally collect and create a form (which is what I am referring to as a "clump"). Finally, when you've fleshed out your sketch enough, it is time to go over it in ink. So, using your pen of choice (we recommend a technical pen, like Sakura Pigma Microns), slowly go over the lines. If you want to add some variation to the hair texture, then try mixing up your pens with broader and finer types.
How to Draw Straight Hair
Hair is soft, but there should be some indication of linear texture. To create the impression of linear texture, we'll apply the medium using directional strokes that flow over the form of each "clump" of hair. These lines are sometimes referred to as cross contour lines. Learning how to draw hair can feel like an ever-changing, dauntingtask at first.
Step Four: Add texture to the hair
Learning how to draw hair or more specifically drawing female hair is a tricky task because all hair is different. However, when we draw straight hair, our lines have slight curves. When we draw wavy hair, such as in this tutorial, we draw hair that has a twisting motion.
Afterward, it is time to fill in the hair with more texture, so add long and short lines throughout the hairstyle. Continue to fill in the hair with texture, adding more lines to the hairstyle to indicate volume. Let'sface it, the form of the head is basically an upside down egg. Nomatter what the model's hairstyle, there is usually an area of hair thatlies flat on the head and reveals the form. It is this area that is particularly important to pay attention to,otherwise the hair won't look believable, or the skull may lookstrangely shaped. Let us shift our focus to the hair on the top of the head as we transition to the right side of the hair.
Because the wavy hair of females can be heavy the top might seem slightly less bumpy. However, as the hair comes to the ends and tips they begin to move in various directions twisting in and around each other. The goal here is to get the outline of the shape correct and then slowly begin to add your lines and shades in the overlapping moments. The examples in this tutorial can give you a good basic idea of how to draw some common hair types. If you want to try drawing another hairstyle you can still apply the same steps/principals used in these tutorial.
Move your pencil to the hair part and sketch bouncy, cloud-like patterns until you are just above the shoulders (or wherever you prefer). Afterward, fill in the shapes of the hair with varying lines to give it texture, volume, and depth. The more you add, the denser the hairstyle will look.
Afterward, add depth to the hair by adding numerous lines to each lock of hair. If you enjoyed this tutorial on how to draw hair, you may also be interested in... Matthew Matthysen is an educated multidisciplinary artist and illustrator. He successfully completed his art degree at the University of Witwatersrand in South Africa, majoring in art history and contemporary drawing. The focus of his thesis was to explore the philosophical implications of the macro and micro-universe on the human experience. Matthew uses diverse media, such as written and hands-on components, to explore various approaches that are on the border between philosophy and science.
The idea of hair you want to draw; study the hairline and flow, shape, gravity, and light source. This is quite important, and if you pay attention to the light source of your artwork, it will give you a big plus in your drawing. Below you'll see the finished portrait drawing from The Colored Pencil Course along with close ups of the marks used for stray hairs. From here, we can look for the relationships of values. Doing this may make the shapes of lighter and darker value stand out a bit more. To finish up, we'll add a few stray hairs that extend from the body of the hair.
Shade the haircut in a more definite way, drawing shadows between groups of curls. Draw the direction of the hair, creating the 3D form of the haircut. Shade the hair now, thinking in terms of strands, not single hairs. Outline the whole hair, following the rhythm of strands.
Same as the other example begin by drawing an outline of the entire shape of the head. Again add in the hairline over top of the head drawing. Refine the shading by creating smoother gradients between the mid tone, light and “in shadow” areas of the hair. The main goal of this step is to apply an initial layer of shading that will define the light, medium and dark areas of the hair. To avoid your drawing getting overly clutter erase the parts of the head covered by the hair after you are done.
As I continue drawing I look for "ribbons" of hair to indicate, usually with a highlight and halftone. Throughout this drawing I will be looking for shapes, beginning withgeneral ones and moving towards more and more specific ones. I discuss how to use shape to create a likeness of your subject and present a shape exercise in Lesson 2 of my free Mini-Course. Drawing the shapes specific to your subject creates a likeness.This is true no matter what you draw, whether it is a still life, portrait or figure. Thelightest value can be left as the white of the paper, and the darkestvalue is just to the right of the face (our right, the model's left). To get the most out of this lesson, take my free Mini-Course on the essential concepts of realistic drawing.
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